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CREATIVE WRITING 200-201 (Nelson) : — Any two of the following workshops comprise credit for this second-year creative-writing course. Students may audit any of the workshops with permission of the Writing Program co- ordinator. | POETRY: Every second Monday evening beginning Sept. 17. The structural techniques of making poetry. FICTION: Every second Monday evening beginning Sept. 10. Short stories, novels, and how Poche Every Thursdoy from 2 to 5 p.m. News reporting, feature articles and in- vestigative writing will be analyzed, discussed, and practised. SCRIPT WRITING: The basics of theatre, radio, and film scripting will be the subjects of four in- tensive weekend sessions: Nov. 3-4, Dec. 1-2, Jon. 12-13, Feb. 9-10, WRITING 160-161 (Nelson) Tuesdays — 8 to $:30 o.m.; Fridays — 8:30 a.m. to 12:30 p.m. to hand.” ‘ite then, now that you are young, nonsense by the ream. Be silly, be i) sentimental, imitate Shelley, imitate Samuel Smiles; give the rein to every . Seas eterna | 5 impulse; commit every fault of style, grammar, taste, and syntax; pour out; : tumble over, loose anger, love, satire, in whatever words you can catch, : : j coerce or create, in whatever metre, prose, poetry or gibberish that comes —Virginia Woolf GRAPHIC DESIGN 140-141 (Nelson) Tuesdays —1 todp.m. Tr) ig in relation to General Interest Courses COMPREHENSIVE JOURNAL WRITING. x Nelson on one weekend, Saturday & Sunday, 10 0.m. to 5 p.m. if interest is sufficient, ss tory. One does not need to be,a “writer” in order to write, only prerequisite Is to have a life of your own, Exercises ¥ Progrol Pp 1N YOUR OWN WORDS: A Workshop for People Who Like to Write Mondays — 10 to 11:30 a.m. Starting Oct. 15 This six-week workshop is offerred for people who write or would like to write, ond could use some support, encouragement, feedback, and ideas from a smail group. This is an idea! course for those who have: Ideas, but can’t find the timo, the words, or the confidence to express them. The group wi 4 ti " ing, idea devel: : ; i ng, and, other d dul to writers, Pr d welcome. A studio course in the development of useful writing skills including research, d interviewing, manuscrip! preparation, andcopy editing. your name, address, and phon THE CANADIAN WRITERS’ SERIES Oct. 19, Nov. 9, Dec. 7, Jan. 11, Feb. 1, March 7 i Our on-going series of public readings by some of Canada’s best writers will be held Friday evenings ot 8 p.m. in th Idi Ih i "J Grid ecdiriall Feet wand 30 Tuesdays or Thu — 3:30 $0 5:30 p.m. Ageneral Logi survey of from pi ic time to A.D. 1600. ART HISTORY — Introduction to Contemporary Art | (1890 to 1914) Mondays — 1:30 to 4:30 p.m. Prerequisite: Art History !— AH 100-101. c FA 100-101 — 8:30 a.m. to 12 noon “Theatre, where a false blood the pre-professional two-year diplome program Transfer courses in Theatre, Fine Arts, Huma and th helor of Fine Arts (Theatre) atthe in any of the courses or workshops offered by the theatre department. Sok TWO-YEAR DIPLOMA PROGRAM Though the Diploma Program is designed for students interested in pursuing prolessional theatre careers, a majority of the work is acceptable for University Transfor it. :} ‘The first yeor of the Diploma Program Is devoted exclusively to courses in Theatrical Form, acral. Voice, Movement, and Acting. Students will also participate in several luctions, _in the second year of the Diploma Program a student hes three options: Performance, of drawing s ili fion with di i querer ibols and visual literacy. ig | DRAWING/DESIGN & COMPOSITION Il — FA 201 Tuesdays or Thursdays — 104 p.m. Exploration of modes of represent in various media to aid the student in the ac- lizati Hi id obj ite: FA 100-101. E ig PAINTING I — FA 220-221 Mondays or Wednesdays — 8:30 o.m. to 4 p.m. Basic i ion of a variaty of painti PAINTING Il — FA 370-371 z Wednesdays — 1 to 4 p.m. Technological capacity of painting to symbolize images and to relate these symbols to the i f the picture plone. ion to oils. site: FA 220-221. APPLIED DESIGN | — FA 222-223 Mondays or Fridays — Siam, tod p.m. APPLIED DESIGN I! — FA 372-373 Wednesdays — 8:30 a.m. to 12 noon . Student choice of media in weaving, silver lost wax casting, ond stained glass construction. Prerequisite: FA 222-223. (CERAMICS | — FA 224-225 Mondays or Fridays — 8:30.0.m. to 4p.m. ond Design, or Y TOB.F.A. :. All courses of the first and second year leading to a Bachelor of Fine Arts (Theatre) at the University of Victoria are available at D.T.U.C. GENERAL Y All core courses in the two theatre programs are open to. students enrolled in other progroms or departments of Selkirk College and to Community Education students, Short-term worksh \d courses ilable to meet needs the West Kootenays and at 0.T.U.C. The theatra will provide a cenire for visiting theatre productions and artists. INTRODUCTION TO THEATRICAL FORM — THEATRE 100-101 STAGECRAFT I — THEATRE 110-111 | and Wednesdays — 1:30 to 3:30 p.m. of stage and design. design, costume, makeup ing. INTRODUCTION TO VOICE FOR THE STAGE (VOICE |) — THEATRE 120-121 Mondays, Wednesdays, Fridays — 9:30 to 10:30.a.m. An introduction to breath control, intonation, resonance, projection, tone, ond oral in- terpretation techniques. Introduction to the besic clay process, cloy glazes, and di CERAMICS 1! — FA 374-375 Mondays — 8:30 a.m, to 12 noon ce: SCULPTURE I~ FA 226-227 ond 8:300.m.to4 Introduction to three-dimensionol form with clay and plaster modelling, carving, and: technological information. ‘SCULPTURE Il — FA 376-377 Tuesdoys — 8:30 a.m. to 12 noon Exploring piece moulding procedures, ond multiple 3-D media. Includes basic training in i Ndi isite: FA 226-227. FA 224-225. vo y ig. PRINTMAKING I - FA 228-229 Wednesdays or Fridays — 6:30.a.m,to4 p.m. Emphasis on basic steps in the printmaking techniques of screen reliet, intaglio, and em- ing. PRINTMAKING [1 — FA 378-379 Thursdays 8.0.m. to 12 noon ion of it ‘ing processes, plus alternate and experimental prin- ting techniques. Prerequisite: FA 228-229. The following Kootenoy School of Art programs have openings: oth prog ditional year of diracted post-graduate studies © Five-month Graphic Design Upgrading program © Eight-month Photogrophic Skills pragram (new) jht-month Creative Woodworking progrom (new) -month Clay/Fibre program (new) © Selkirk e two-year General Arts Diploma progrom © Bachelor of Fine Arts University Transfer program NOTE: The three-yeor diploma requires first- and second-yeor prerequisites or transfer credits. Full-time Kootenay School of Art students are to report to the TO BASIC. {' 1) — THEATRE 130-131 Thursdays 9:30 to 11:30.a.m, Anintrodi toth of body jh and f ACTING | — THEATRE 140-141 Mondays — 10:30 a.m. to 12:30 p.m.; Wednesdays — 3:30 to 5:30 p.m. Anintrod ch study ond developr mime, and it izati THEATRE IN EDUCATION — THEATRE 146-147 's theatre for education students, teachers, and others in- i inthe ck 2 THEATRE SEASON 1979-80 The premiere D.1.U.C. Theatre Season, featuring five loc: productions involvin, theatre students and talented individuals fr: community, will present a season ol vey chosen to provide o brood range of e: 9 theatrical experience. Productions in- clude: ¢ Macheth © Mon from La Mancha © TheCaretoker —* Timeofthe Cuckoo © Reshomon Public auditions for the first production, Macbeth, will be held Sept. Sand 6. Also, os part of the 1979-80 season, the D.T.U.C, Theatre Centre will present three of 's biggest theat f recent years. These touring productions include: Oct. 10 — Jacques Bret “David Y.H. Lui’s produ jing, written by master song-writer Jacques Brel, has become almost legendary impact, shop Gees to War : in tour de force about a farmboy fram Owen Sound, Ontario, who became Canade’s greatest flying ace in World War}, is funny, boisterous, nostalgic, honest, and, in iis own curious fo . heartbreaking. pear in Nelson for one production only. Season In early Seplember householders in Nels id Thompson Uni tre on Tuesday, Sear, Be gtieptalion pracedures and the start A of the visual arts progra i related flelds such as radio, television, and the recording indu: training In music for those wishing to pursue academic ts, and Music. Writing and Performance skills are emphosi instruction in music theory and college English, o strument. Students without migimal keyboard s also take tude choir, bond, band, chamber music, MUSIC THEORY I — MUSIC 100 indays, Fridays — 1:30 to 2:30 p.m. musicianship, writing, keyboard training, and analysis. INTRODUCTION TO. MUSIC THEORY 1— MUSIC 102 Fel — 1:30 to 2:30 p,m. (plus one-hour lab) d Fridays — 8:30 to 9:30 o.m.: Tuesdays — 9:30 to 10:30 a.m; A basie course in the materials ond structure of music, emphasizing ear training, vocal “Music, for instance, began with man, primitive man, trying to duplicate Nature's sounds — winds, birds, animals, water, the crescendos of fire — after which great systems of learning were ‘set up, only to discover that music is limitless. The more you learn, the more you want to learn. And the * more you hear it, the more you want to hear it.” — Duke Ellington” Musicis on intergral part of the new Visual and Performing Arts Centre at Javid Thompson - PRIVATE TUITION | — MUSIC 130 University Centre. The music program is designed to prepare students for careers in music or |. Timestebecnnounced LARGE ENSEMBLES | — MUSIC 140 s private lessons in voice of an in- closs piano, Ensembles in- of instructor, ‘SMALL ENSEMBLES } — MUSIC 142 Times to be announced ‘vic Choir, Regular partici ARRANGING | — MUSIC 156 i Tuesdoys — 3:30) to 5:30 p.m. Astudh " B i ible, and/or Chamber N Mondays and Wednesdays — 9:30 to 10:30.a.m.; Thursdays — 11:30 a.m. to 12:30 p.m.: PERFORMANCE I — MUSIC 160 Apractical tothe b terial: fF musi MUSIC 108 Tuesdays _ 10:30 ‘a.m. to 12:30 p.m. Basic | POPULAR COMPOSITION I — MUSIC 106 Mondays ~7 to9 p.m. Basic f has|s on popular form, i INTRODUCTION TO MUSIC HISTORY I — MUSIC 110 )hasis on the European tradition in mod © survey of music in Western culiure from Ancient Greece through the Classical era. theatre, ic fo: lay musician. Mondays — 2:30 to 4:30 p.m. of related tech Asstudio workshop for performances and di repertoire, AUDIO TEC ! 170 Thursdays — 3:30 to 5:30 p.m. An introduction to the professional recording studio, and the fundamentals of sound recording and mixing. = MOVEMENT | — MUSIC 180 Tuesdays ond Thursdays — 9:30 #0 11:30 om, Including songwriting. Mondoys, Wednesdays, Fridays — 9:30 to 10:30 o.m.; Thursdays ~ 3:30 to 5:30 p.m. A ond their opal ic and , { The Creative writers, d A series of Friday afternoon presentations and discussions by both loca! and national ized will begin artists, followed by inf { di: (wlth fi = 230 p.m. and will be and fil Kc Process a David Thompson University | Seminars rn _of working in the “arts.” The purpose of the series is to expose the students of The public is invited to attend, students - For further Information contact Fred Woh or Miecio Zmur Centre to the broader implications at the David Thompson University Centre, 352-2241. at 4 p.m. ar, Anumber of Uni should see a ( University : versity Transfer courses are available at D.T.U.C. The student interested in liber LI for transfer In general, credit earned in these courses is trai 100 ' Tuesdays, Thursdays — 10:30 a.m. to 12:30 p.m. Mojor areas wi the discipline. Physical, Cultural, Social OGY 202 LKLIFE! fednesdays — Evening ion to and ethno-hi: khob: Transfer Courses te" University, the Archeology, Ethnography and Ethnology may be dealt with. "From Caves fo Condominium: main pol y of British Columbia, and the Uni y of Victoria. HISTORY 106 — WESTERN CIVILIZATION Mondays — Evening Anthropology, Lingui A suey of man and his world from 1500 to 1815. This course introduces the student fo the litical, religious, social and cultural developments of Western soci ‘on major themes such as the late Renaissance, the Reformation, the the Scientific and uti the Enlij ond 1 ~ ral arts and science nsferable to Simon Age of Re he French the Napoleonic Era, religion and dogma, The tap sea ‘i ¥ poi raining i areas of folkli BIOLOGY 106 — PRINCIPLES OF BIOLOGY I i is pfovided, Tuesdays, Thursdays — 9:30 a.m. Accourse primarily for non-physical science’students who do not require a course in calculus. The basic concepts of sets, algebraic identities, conditional equations, functions, and graphs are studied, witl stress on deeper of applications. Internal Transport, Homeostasis, Horm experimental exercises. 200; s and Skeletons, Reproduction, Genetics, Evolution, and Ecology. Laboratory ‘allel the above topics and include Dissections, Use of Microscopes, and related onal and Nervous Contro! 100 — TION r Tuesdays, Thursdays — 10:30 o.m. to 12:30 p.m. uch a: hat can. w? What is the g help the student ize hit assess arguments and communice jeas, PHILOSOPHY 261 — PHILOSOPHY OF RELIGION| practice, Areas of study ond ke Wednesdays — Evening struction plennin: ENGLISH 110 — COLLEGE COMPOSITION religious experience from oracontiet point of viow, i eduction to philosophy through the study of al Guestions of perennial in- is Wl thinking ond ils @ aim of the cout including the felation bet- igton, POLITICAL SCIENCE 112 — INTRODUCTION TO POLITICAL SCIENCE the origins a ind functions of the state; ond between mod Seminar: Mondays — 10:30 a.m. to 12:30 p.m. Starts Sept. 10, ENGLISH 204 - CHILOREN'S LITERATURE he student with OFt ‘Times to be announced This course explores the nature of language. ‘Sound features, writ rary fairy tales, modern works in fantasy and TO PSYCHOLOGY! O.T.U.C, Class: First Saturday each month — 10:30 a.m. to 3'p.m. Starts Sept. 15, Castlegar Campus are used fo illustrate concepts instructa a background in children’s psychoa fing systems and theories of Skinner, Allport. grammar and meaning will b , The history, be studied in detail, i ne Tuesdays, Thursday . This course is intend and English will SOCIAL SCIENCES 160 — INTRODUCTION TO SOCIAL SERVICES Thursdays — Evening Acgu ts students with the ilosophy, values and role of social service workers in a variety ol i i 9s. The focus is on the establishment of social services in B. pertinent policies, programs and concept: SOCIOLOGY 120 — SOCIETY AND THEINDIVIDUAL Wednesdays — 8:30 to 10:30 a.m.- particular reference to western North Amarica, HISTORY 104 — CANADA 1534-1840 Weather and climate, soils and vegetation, development of slopes and fluvial landforms with he discovery and development of North America. Europea if interplay with the frontier, thus shaping the beginning of a di This course is an introd in, norms, primary ond secondary lored through lectures ussion groups and are opplied by ividuol and/or group research projects. SOCIOLOGY 200 — THE SOCIOLOGY OF DEVIANT BEHAVIOUR Mondays — Evening : This course is desic introduce students to the sociological stu: Topics to be covered incude various sociol ind bio-psychologi crime, and deli and deviant fo the discipline. The focus Is on the i 1 groups? How does he become an “outsider”? The concepts of ic, socialist, end rr. .C. and Canada, including ividual: How does he groups, and deviance are the student in o series of dy of deviance in society. ica ‘ies of deviance, Special em- nts will be required to ins to the local area, ty, how the: perform an Ny