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6 Castlegar News January 3, 1988
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NEW YORK (AP) — Donald Woods was at the beach
with his family when he broke the news to his wife: He
had decided they had to flee South Africa so he could
publish his clandestinely written book on the death of
black activist Steve Biko.

“He was very taken up because he was writing a
book undercover, so to speak,” reealled Wendy Woods.
“He felt terribly threatened. He had sort of decided this
all in his own mind and presented it to me as a fait
accompli .

“I said, ‘What about the rest of us? Why didn’t you
discuss it with me?’ her voice rising as she recalled the
moment a decade later. “There are other things than this
damn bool

“She was thoroughly unreasonable,” Woods ob-
served dryly

Two years ago, script writers sat down with the
couple to recreate the beach scene for Richard Atten.
borough's new film, Cry Freedom, which tells the story of
Woods (Kevin Kline) and his friendship with Biko (Danzel
Washington)

The 53-year-old Woods is a fifth-generation white
South African. He was the editor of a liberal newspaper

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and a long foe of apartheid when he was banned by
his government in 1977 after leading the fight for an
inquest into Biko’s death at the hands of the Security
Police. Police were posted outside his home to enforce the
ban.

Under his banning order, Woods was forbidden to
write so much as a postcard; to speak to or associate with
more than one person at a time, other than members of

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his diate family; to travel; to communicate publiely;
or to be quoted in any publication

“The fact was that I couldn't function as a journalist
anymore,” he said of the decision to leave. “It seemed
unthinkable just to go back and do what I'd been doing
before, because it would amount to functioning by their
grace.”

Anti-apartheid film
secretly written

The only way to leave South Africa was to escape.
On New Year's Day, 1978, Woods made his way north
across the border into Lesotho disguised as a priest. Mrs.
Woods and the five children, aged 5 to 14, drove out of the
country and met him after duping police into thinking
they were off to a day at the beach.

Woods grew up accepting the prevailing white pre-
judice towatds blacks. But while studying law, he began
to question his beliefs, One day he came across a
quotation from Abraham Lincoln that demolished. any.
justification for apartheid: “What is morally wrong éan
never be politically right.”

During 12 years as editor of the East London Daily
Dispatch, he opposed increasingly repressive legislation
to maintain apartheid. When the Black Consciousness
Movement emerged, he opposed that too, on the ground
that it was equally racist and reprehensible.

The movement was led by Bantu Stephen Biko and
its thesis was that blacks should develop their own!
identity and rely on themselves, not the tiny band of
white South African liberals, for their future.

At the urging of several friends, Woods finally met
the charismatic black leader, who was 13 years his junior.

“I emerged from that meeting with a fuller per.
ception not only of Black Consciousness’ but of blackness
in South Africa in all its implications,” Woods wrote later.
“Biko had remarkable gifts of communication.”

Biko was seized by Security Police on Aug. 1871977,
for travelling in violation of his banning order. On Sept.
13, word camé that Biko had died in police custody. He
was 30 years old.

After their eseape Woods published his book, Biko,
and later wrote an autobiography, Asking for Trouble. In
1983, at the suggestion of a mutual friend, he sent copies
of the books to Attenborough, the Academy Award-win-
ning director of Gandhi, who was looking for a vehicle for
an anti-apartheid film. The books became the basis for
Cry Freedom.

CRY FREEDOM
PASSES SOUTH
AFRICAN CENSOR

By DAVID CRARY
Associated Press
JOHANNESBURG, South Africa — The decision by
government censors to allow uncut showings of Cry
Freedom, the critically acclaimed Richard Attenborough
film about black activist Steve Biko, has provoked outrage
among right-wing whites and cynicism among many blacks.
There is widespread speculation that the unexpected
approval came about because the government feared a ban
would increase the overseas box-office appeal of the movie
and boost its chances of winning Academy Awards.
“Maybe they are getting smart,” said black newspaper
editor Percy Goboza. “A ban on the film would have sent its
ratings around the world zooming through the roof.”
Biko, who died in police custody in 1977, founded the
Black Consciousness Movement, which advocated black

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self-reliance in the struggle for political rights. Cry Freedom
is based largely on two books by Donald Woods, a white
newspaper editor who befriended Biko and fled into exile
after the activist’s death.

South African foreign correspondents who saw it
described it as a powerful anti-apartheid work which was
likely to be banned in South Africa, but in late Novemiber the
censors approved showings of Cry Freedom without cuts or
age restrictions. It is expected to open here in February or
March

DEPICTS FRIENDSHIP

The movie, starring Denzel Washington as the charis.
matic black leader and Kevin Kline as Donald Woods,
depicts Biko's friendship with the newspaper editor and his
arrest and death. It also details Wood’s struggle to have an
inquest into Biko’s death and his flight from South Africa
with his family.

Biko was seized by Security Police on Aug. 18, 1977 for
traveling in violation of his banning order, which prevented
him from travelling or speaking to more than one person at a
time outside of family. On Sept. 13, word came that Biko had
died in police custody. He was 30 years old.

At first police minister James Kruger implied that Biko
died of a hunger strike. A magistrate eventually found that
Biko died of brain injuries suffered in a scuffle with security
police, but no one was held accountable.

Far-right white organizations have denounced the
censors and said the film should be banned regardless of the
consequences abroad.

Among blacks, there is a presumption that the film has
been moulded to cater to whites, highlighting Woods’
courage and his escape from South Africa while taking a
patronizing attitude toward Biko.

BROADENS APPEAL

Woods said in an interview that giving more of a slant
toward his family and his escape helped broaden the movie's
appeal and opened it to a wider, white audience.

The Azanian People's Organization, an offshoot of the
Black Consciousness Movement, decided against boycotting
the movie but has contended it is essentially a film about
Woods and not an authoritative portrayal of Biko.

However, not all South Africans are suspicious of the
censors’ decision.

Gerry Stone, sales manager for the company that will
distribute Cry Freedom in South Africa, described the
approval as “the greatest thing the government has ever
done.”

And The Star, the country’s largest daily newspaper,
called the decision “a brave and welcome step” and said
South Africans should have a right to know how people
abroad perceive them. ;

“Biko is, after all, part of this country’s sad history,”
The Star said in an editorial. “A genuine ery for freedom —
like an inner cry for dignity or self-respect — is a call which
every individual will instantly recognize. Let each look upon
this film and let each make his or her judgment on its
relevance.”

COMMUNITY

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COMMUNITY

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NEW YORK (AP) — Tom
Hanks, the big movie star,
said he has nothing to say.

“I feel exactly like I did
when I w 12, not like a
movie star,” Hanks said in an
interview with Gentlemen's
Quarterly magazine.

“I'm only making movies,
not running for office. I don't
feel as if I deserve attention
or scrutiny.

“I don't really have any-
thing to say. I'm sorry. I'm
boring.”

Well, he does have some
thing to say — sort of
about why he made it.

“I was funny when I
needed to be funny, and I was
lucky. That's all I know,” he
said.

And: “I am funny. OK,

Tom Hanks
fine. I'm not as funny as
everybody, but 1 can be
somewhat amusing.
“And I know it's something
I cannot plan or explain or
communicate, it's just that I
pea

. Sheen takes a
crash course

NEW YORK (Reuter) —
Charlie Sheen todk a crash
course on the wheelings and
dealings of the stock market
for his starring role in Wall
Street, Oliver Stone's cine
matic treatment of the in
sider trading scandals.

The 22-year-old actor said
in an interview he knew little
about shares, futures and
commodities when he took on
his role as an ambitious
young stockbroker in Stone's
follow-up to Platoon, last
year's Oscar-winner for best
picture.

“I didn't really care about
the stock market,” said
Sheen, who also starred in
Platoon. “I didn’t think it had
any effect on my life.”

In Wall Street Sheen plays
Bud Foxx, a stockbroker
eager to make his first mil.
lion during the bull market of
1985-86.

Foxx is lured into gather.
ing illegal inside information
for corporate raider Gordon
Gekko, a villainous multi.
millionaire portrayed by
Michael Douglas.

The film's chief technical
adviser, New York invest
ment banker Kenneth Lipper
helped Sheen better under.
stand stock market gyrations
and insider trading scams.

“I had four weeks to go on
this crash course,” Sheen
said. “I had to learn what
those guys did in four years
of business school.”

Sheen, the youngest son of
actor Martin Sheen, realized
that it would be impossible to
learn everything. So he shot
for a general working know
ledge of the financial world.

“So when I spewed num
bers or threw facts around,
at least I could lessen my in
security,” he said.

WORKS WITH BROKERS

The actor worked along
side the employees at Sal
omon Brothers and spent
time with-young brokers at
after-work arinking estab
lishnents in the South Street
Seaport area. |

He also met David Brown,
a former trader with Gold.
man Sachs who pleaded guil
ty to insider trading charges
in 1986.

Sheen said he could not re.
sist working with Stone
again, even though he said
the director is hard to please.

“He's tough,” he said. “But
the most hated coaches of our
era have had the best track
records.”

He said there were some
signs of the pressure on
Stone as he made his first

film since last year’s runaway
hit.

“He was a little more care.
ful with things,” Sheen said
of Stone. “He was a little
more concerned: with his
overall vision.

“But that doesn’t mean he
wasn't taking risks. He's still
as crazy as he was in the
jungles (of the Philippines,
filming Platoon). He terror
izes people, but always in a
fun way. He doesn't alienate
people, but he lets them
know he's a general and it's
his movie,”

Sheen said he is hoping to
work with Stone again, pos-
sibly in the Platoon sequel,
Second Life, but nothing is
set.

Wall Street also offered
Sheen an opportunity to
work with his father. The
elder has been portrayed
Foxx's hardworking blue col
lar father.

MAKES DEBUT

Sheen made his film debut
at age nine alongside his
father in the television movie
The Execution of Private
Slovik.

Being raised in a theatrical
household made his move
into acting inevitable, Sheen
said. His 24-year-old brother,
actor Emilio Estevez, has
starred in Stakeout and St.
Elmo's Fire.

Acting, Sheen said, was his
only alternative to “the
headaches of school,” which
caused him to reject his
dreams of playing college
baseball.

Wall Street marks Sheen's
ninth starring role since
landing a part in 1983's
Grizzly II. He has also ap-
peared in Red Dawn, Lucas,
and Ferris Bueller's Day Off.

Sheen wrote and directed
his first 35mm short last
summer and has written
three screenplays in the last
two years.

Immediately after filming
Wall Street for 10 weeks last
summer on location in New
York City, Sheen jumped
into Eight Men Out, the story
of the 1919 Black Sox base-
ball scandal. The movie,
which was filmed on location
in Indiana by John Sayles,
who also directed Matewan
and Brother From Another
Planet, will be released next
spring.

Sheen, who lives in Malibu
and describes himself as
“very much in love” with
British actress Charlotte
Lewis, hopes to spend the
next few months putting his
life into perspective.

Coming Soon

-. . See the

Castlegar News of Sun., Jan. 17

BUSINESS

a.
January 3, 1988 Castlegar News ar

IMITATION
FRAGRANCES
SELLING BIG

By MARK DUNN
Press

Canadian

TORONTO — Like copycat jeans which have the
same snug fit as a pair of Calvin Kleins minus the name
and price tag, there are knock-off perfumes on the market
that could con the sensitive schnozz of a bloodhound.

“In some cases we are identical . .. and we are better
than designer perfumes,” boasts Mark Laracy, a
maverick perfume entrepreneur with 22 years exper-
ience in the frangrance industry.

So why do consumers pay between $250 and $375 for
an ounce of designer perfume or cologne when imposter
fragrances cost a fraction of the price?

‘Because a name goes a long way,” says Lynda
Lister of Perfume Originals, a Toronto fragrance shop
that specializes in fooling the nose, but not the pocket

k. «

“It’s like designer jeans,” says Lister. “People wear
them because of the name.”

Lister says the quality of the impostor is so close to
the original that one of her clients fills up an empty Oscar
de la Renta bottle with her shop's knock-off brand, called
Joe's Choice. The imposter sells for $29.50 for a
two-ounce bottle compared with $82 for a quarter-ounce
bottle — about “three tablespoons” — of Oscar at a major
department store.

“She doesn't want her friends to know she uses the
fake stuff,” she says.

MIMICKS SCENTS

Laracy is founder of Parfums de Coeur, a U.S.
company shooting for $120 million US in sales this year
by mimicking designer scents such as Giorgio and Ob-
session.

Laracy, who plans to open a Montreal operation next
year, said in a telephone interview from Stamford, Conn.,
that it’s not difficult copying the scents of industry giants
such as Calvin Klein or Yves Saint Laurent and selling
the product at bargain-basement prices.

Lister agrees, adding that 90 per-cent of the costs of
producing designer perfumes are spent on fancy pack:
aging, designer names, department store mark-ups and
expensive advertising campaigns.

“We spend as much pn juice (perfume) as designer
brands and deliver the same quality,” says Laracy, who
started his company by copying Opium, one of the
products he introduced while he was an executive’ with
Charles of the Ritz, the parent of Saint Laurent.

A quarter-ounce of Opium costs $85 in Canada.
Laracy peddles his Opium equivalent, Ninja, for $7.50 US

CALGARY (CP) — Listen as the Olympic torch winds
its way towards Calgary and you'll hear more than the
runners’ feet pounding the em: ind roadside crowds
cheering them on. a

There's also the sound of jingling coins.
Petro-Canada paid $5.5 million te: sponsor the torch
relay. It's rumored the total cost could be $45 million when
staging and promotional ce are added in.

But the Calgary Herald quotes sources-as saying the
88-day, cross-Canada run — when combined with a year-long
Olympic drinking glass campaign that is essentially paying
for itself — has handed Petro-Canada an additional
two-per-cent share of Canada's retail gasoline market on top
of the 20 per cent it already controlled.

That two per cent translates to an extra $280 million in
annual gross revenues — or more than five times the federal
Crown oil company's total estimated investment in the
project.

Industry analyst Cam Glass said Friday it's rare for an
oil company to retain such a large jump in its market share
because competing firms eventually lure some customers
away with promotional campaigns of their own.

But Glass, of the Toronto-based investment firm of
Alfred Bunting and Co. Ltd., notes Petro-Canada's glass
program runs throughout 1987 and part of 1988, and the
torch relay is a three-month event receiving extensive media
coverage. 7

PUT UP FIGHT

Those factors, he said, should enable the Crown
corporation to put up its best possible fight to keep the
maret ground it has gained.

The bottom line: Petro-Canada has latched on to a major
money-maker.

Exactly how much money won't be known until at least
Feb. 28, when the Winter Olympics end. The numbers may

Petro Can profits
from torch run

never be released, however, because management is already

trying to keep them secret.

The estimate of an additional two-per-cent market
share, and thus an extra $280 million in annual gross
revenues, comes from Petro-Canada sources who asked to

remain anonymous.
Bob Foulkes,

although

high.

BUDGETED FOR
He insists most promotional expenses for the relay are
paid with money already budgeted for other Petro-Canada
campaigns, but re-directed to the Winter Games.

Petro-Canada’s senior
director, refuses to provide official estimates — arguing that
the Calgary-based petroleum company was
originally financed with taxpayers’ dollars, it operates today ry
in highly competitive market.

Foukes said he doesn't disagree with the revenue
projections, but he does sfty the cost projections are far too

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Foulkes said virtually all of the corporation's other
torch-related expenses — uniforms for the runners, food and
lodging for company volunteers and fuel for vehicles — are
covered by the original $5.5 million.

The vehicles themselves were donated by General
Motors, another Olympic sponsor, and several full- and
part-time staff were donated by Petro-Canada — at an extra
cost to the corporation of $1 million.

Company officials who prefer not to be named say
Petro-Canada’s total costs for the relay could hit $50 million
— still a relatively small amount if the event earns an extra
$280 miliion in gross retail gasoline sales.

But Foulkes is pegging Petro-Canada's total costs at
$6.5 million, meaning the Crown corporation could be on the
verge of a major windfall on its investment.

“Let's put it this way,” he said. “If another relay came
along, we'd take it.”

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an ounce.

A computer-linked process that analyses the vapors
of a perfume can sniff out in a matter of hours most of the
secretive blend of natural oils used in brand-name scents.
Water, synthetic aroma chemicals and alcohol, which lifts
the scent off skin, are the other components of perfume.

COPY FORMULAS

Kk: for International

, Van Sayre, a

Flavors and Fragrances in New York and Toronto, a
perfume oil supplier to “all the perfume and cosmetic
houses in the world,” said it's impossible to duplicate
perfume formulas, which in many cases are composed of

1,200 ingredients.

Ina telephone interview from New York, he said oil
suppliers are the only ones who know what the aroma
chemicals are “and those are kept in a vault.”

He admits today’s impostor perfumers are doing a
better job of imitating sophisticated fragrances, but he
says the quality is not as good and the fragranceywon't

last as long.

Weekly Stocks

VANCOUVER (CP) — The
Vancouver Stock Exchange
set records in 1987, despite
fallout from the Oct. 19 stock
crash and continued contro-
versies throughout the year.

Financings and _ trading
activity easily surpassed
previous highs established in
1986, although the prices
index closed the year at
1,150.02 — down 15 per cent
from the 1986 close of

cluded total financings
reaching $1.34 billion, 93 per
cent higher than the previous
record of $696.2 million last
year.

Share volume totalled 4.8
billion, up 37 per cent from
the previous record of 3.5
billion set in 1986. The value
of those shares was $6.65
billion, up 48 per cent from
the previous high of $4.5
billion last year.

The average price per

NEW YORK (AP) — Metal
was the magic material for
profitable investing in the
stock market during 1987.
And the surest road to losses
was Wall Street itself.

Stocks of companies that
produce almost any type of
metal — steel, copper, alum-
inum, gold — weathered the
crash in October and posted
some of the best gains of the
year.

Among all the U.S. in-
dustry groups tracked by
Standard and Poor's Corp.,
“miscellaneous metals”
ranked first for the year
through Dec. 23, with a 73.1
per-cent rise.

Gold-mining stocks were
the runner-up, climbing 61.2
per cent, followed by steel,
up 60.9 per cent, and alum.
inum companies, up 56.8 pex
cent.

Shares of publicly held
brokerage firms showed the
biggest loss in the S and P

tabulation, falling 37.5 per
cent.

Other groups in the depths
included toys, down 33.5 per
cent, and money-centre
banks, down 30.5 per cent.

As of early this week, the

Lukens, a producer . of
heavy steel plates, had its
share of woes earlier in the
decade like many another
American steel company, and
as recently as 1985 it was
losing money.

stock with the biggest per- STEEL RISES
centage gain for the year on _ Right behind Lukens was
the New York Stock Ex- another of smokestack
change was Lukens Inc., America's wounded giants,
which more than tripled to Bethlehem Steel, which
just under $50 US a share jumped to about $18 from
from $14.75. ~ $6.25.

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